Remember that when you shoot in jpg your camera will automatically apply sharpening “in camera”. This is one reason why images can look great as jpgs, but when you open a raw file it looks flat and soft. The camera does nothing to raw files particularly as compared to “in camera” changes made when shooting in jpg.

Now by default CR will add some sharpening to every photo you open, see the 3rd panel “detail” for the sharpening controls. You really do need this “capture sharpening” to all raw images to at least get you to where the “in camera” jpg sharpening would have gotten you. The benefit of this though is you can take off or enhance this sharpening and fine tune it to your hearts content. This is of course the benefit of shooting in raw.

Don’t forget that you need to view your image at 100% to see the effect of sharpening inside CR. So choose a part of the image where you want sharpening to be applied and zoom to 100%.

There are several controls you can play with in the sharpening area:

Amount is kinda obvious…it’s the strength of the sharpening effect! The default is 25 so if you don’t want any (you may want to handle all this in PS) you can simply drag this to 0

Radius effects the hard edges of a shape and how many pixels touching that hard edge will be effected by the sharpening. You really need to play with this to get a feel for how it works for different types of images.

Detail can help with the unwanted “halo’s” you can get, particularly with heavy sharpening. Don’t go too high unless you have a really high contrast image.

Masking can be very cool especially if you want to complete your workflow in CR and now delve into PS. Masking is for controlling the edges of your image and how the sharpening is applied to them. If you press and hold the option/alt and move the masking slider all the way to the left the screen will be white. Now (while still holding the option/alt key) move the slider to the right. Everything that is appears as black is not sharpened…everything that remains white is. You’ll notice that the parts of the image which remain white are the hard edges.

So if you wanted to sharpen a portrait you could use this feature to apply sharpening to only areas like the edge of a face, nose, eyebrows, lips etc.

For landscapes/urban settings you mightn’t want this at all. Again, play with it to get a feel for how it works.

Don’t forget that you’ll get a lot more control in PS, so don’t think (or get used to) CR is the be all and end all of your retouching workflow. But do remember just how powerful it is!

When editing a photo you always want to view the before and after right? How else will you measure the changes your making? There is a little preview checkbox on the top right of the image window which does exactly this. A much better way is using a handy keyboard shortcut which is to simply press the letter “p”. This will toggle between the default image as you opened it…and any changes you’ve made.

It’s important to remember though, that CR will only toggle the changes made in the panel you’re currently in. So if you’re in the “basic” panel, toggling the preview will only show you the before and after for changes made in that basic panel (like exposure, vibrance or saturation etc). It won’t show you any change you may have made in any of the other panels (like the “Curves” panel etc).

If you do want to see a true global before and after preview, click on the little icon to the right of the panel name (e.g. Basic). A flyout menu will appear where you can choose “Camera Raw Defaults”. Click the menu and selete the same option to turn off the “before” view.

As usual there is a much better way to do this. Simply go to the “Presets” panel and toggle the preview as normal by pressing the letter “p”. This will show you a before and after including any changes you’ve made in all of the adjustment panels.

There is

Just hold the option/alt key down, when you do the “Cancel” button on the bottom right changes to “Reset”. Lovely!

I got Danbo a week or so ago but have been crazy busy so haven’t had the chance to introduce him.

To be honest I don’t really like this pic much, but it’s late and it’s either this or nothing. So in the tradition of "365"…here it is for today.

This was the neighbours Christmas lights, was funny…just as I was getting my composition/camera settings together they turned off the lights to go to bed so I was stuck with what I had taken during setup!

On another technical note, still not happy with the D90 in a dark environment. 1/50th and look at all that noise. Either I’m doing something totally wrong (that’s always a serious possibility) or the D90 doesn’t like darker environments even at ISO 200 and around 1/50th. Hmm…

Strobist
Do the Christmas lights count?
Err…1 Christmas lights 1/1 power camera right (!)

Camera
Nikon D90
ISO 200
1/50th
f/1.4
50mm

So the story goes…I was trying another self portrait last night using the white background when along came Mel. Much better

I was lucky in that I had about 2 minutes to grab something, this was my favourite.

Thought I’d get in close with the 50mm this time, just playing with different compositions. Although I break a cardinal rule as pointed out to me, never have a subject looking directly at the camera…that is a no no. Also I did cut off the top of her head, I hope she’ll be ok This shot has some healing in photoshop, apart from that it’s pretty much straight out of camera.

I wanted soft light on her face but direct umbrella wasn’t giving me what I wanted so I feathered the light a little which still gave me some facial definition.

Although the diagram below looks like I was using a white seamless…I don’t own one of those Instead it was the trusty off-white wall in our apartment.

Strobist
Nikon SB-80DX 1/4 power camera left and right behind subject with gobo’s to prevent the light wrapping around the subject too much
Sunpak 383 1/4 power into shoot through umbrella camera left for main light

Triggered using wireless triggers

Camera
Nikon D90
ISO 200
1/200th
f/5
50mm

With the birth of the twins I’m all out of whack and have had zero time to do any 365 stuff (not that I kept up everyday anyway!).

Reasonably quick setup tonight. I saw some white background stuff somewhere today so thought I’d try that.

Pretty simple setup with 2 strobes behind subject left and right to blow background to white. The background is just an off-white wall in the apartment.

Softbox as "main" light from camera left.

Also the flickr debut of the 50mm 1.4, looking forward to spending time with this guy

Flowers were a gift for Mel from the girls at work. Always good to practice shooting flowers

Strobist
Nikon SB-80DX 1/4 power camera left and right behind subject with gobo’s to prevent the light wrapping around the subject too much
Sunpak 383 1/2 power into 28" softbox camera left for main light

Rim was from light bouncing off the background

Triggered using wireless triggers

Camera
Nikon D90
ISO 200
1/200th
f/6.3
50mm

Mel is officially 27 weeks along with our twins and she’s looking very big! Well, that’s because she’s kinda small anyway and there are 2 of them in there.

This shot was taken quite quickly in the lounge room. It was tricky because I didn’t really have much room to play with, so I actually shot her full frame (in the viewfinder that is) and then added the negative space on her left in post.

Strobist:
Nikon SB-80DX 1/4 power @ 24mm camera left into 28" softbox
Nikon SB-80DX 1/32nd power @ 24mm on background w/grid spot

Camera:
Nikon D90
ISO 200
1/200th
f/5
44mm